Indigenous Editor’s Association, longlisted for the First Nations Community Reads Program, ANDPVA National Signature Online Event 2022.
Presentation Rates: 250.00 for one session, $450.00 for two, $675.00 for three, $1,000 for full day. Travel fee $.50/km if outside of Toronto. I don’t drive and would require funding for train or bus, plus Uber if available.
Virtual Visit Fees range from $200-$250
Christine Miskonoodinkwe-Smith- is a Saulteaux woman from Peguis First Nation and the author of “These Are the Stories: Memories of a 60s Scoop Survivor”. She is an author, editor, writer, and journalist who graduated from the University of Toronto with a specialization in Aboriginal Studies in June 2011 and went on to receive her Master’s in Education in Social Justice in June 2017. Her first non-fiction story “Choosing the Path to Healing” appeared in the 2006 anthology Growing Up Girl: An Anthology of Voices from Marginalized Spaces. She has written for the Native Canadian, Anishinabek News, Windspeaker, FNH Magazine, New Tribe Magazine, Muskrat Magazine and the Piker Press. She has also co-edited the anthology Bawaajigan with fellow Indigenous writer Nathan Niigan Noodin Adler.
Readings, Talks on Healing, Writing, Truth and Reconciliation
Preferred Venues- small spaces, libraries, café’s etc
Preferred Audience Size-10-25 people, more if comfortable
Writers’ Union Member. Also SCBWI, CANSCAIP, TWUC, CAA, QWF.
Rates: $150 for one classroom session (grades 4-8), $350 for half-day workshop (grades 9-12, CEGEP). Plus a travel fee of $0.50/km. For Ontario, $0.50/km if outside Toronto. Book Club visit fee $150
Travel from Toronto (though author lives in Quebec). All activities can be offered online.
Located in Quebec, Jane is a former teacher, personal trainer and coach with BPE, BEd and an MFA in Creative Writing. She’s published short fiction and poetry and has been featured on CBC radio. Her debut children’s novel HOW TO BE A GOLDFISH deals with themes of family, relationships and bullying can expand to offer a gentle introduction to discussions about alternative families, homosexuality, feminism, forced adoptions and social justice. (Grades 4-7)
Writing workshops
Grades 4-8
No Shaggy Dogs Here! A fun, hands-on workshop where students learn that a good story is not just a collection of events; characters matter! Working together we will develop a collective story outline. Students choose and develop their own protagonist then, armed with our story roadmap, they are free to navigate as their imaginations allow. Suitable for a class.
Grades 9-12 (and CEGEP)
Workshops are geared to the writer wanting to hone their craft and who may be considering continuing in the field of creative writing either at university or independently. These half-day workshops focus on the student’s own writing and work best when limited in size (10-15 participants).
Book Club: Grades 4-7
Jane is available for student book clubs/ classrooms wanting to discuss HOW TO BE A GOLDFISH. Discussions can follow the Study Guide (Scholastic Canada) or can be adapted as needed.
Storytellers of Canada. Gold Mountain Stories. Traditional Asian folklore & Canada’s immigrant history (FDK – 12). Per session, 80-100 students. Three Sessions $625 + travel from Toronto. Continue reading “Hune, Bernice (Toronto)”
Writers’ Union Member. Multi-award-winning author of more than 20 books for kids and teens.
Fees for on-site visits: $350 + HST for up to one hour, $600 + HST half day, $900 + HST full day (4 hours). Mileage and other travel expenses may apply. Fees for virtual visits: $300 + HST for up to 1 hour, $250 + HST for each additional presentation on the same day.
Surprising facts, engaging stories, and her willingness to answer just one more question set Lindsey’s nonfiction programs apart. And her workshops make even the most reluctant young writers excited to express themselves. Lindsey also offerspresentations for educatorsandworkshops for adult writers.
Polar won the 2025 Lane Anderson Award and the SWCC Award
The Boreal Forest won the Information Book Award
NONFICTION PROGRAMS FOR KIDS
What Is a Forest For? Introducing the Boreal Forest | Grades 1-3 | Duration: 45 min | Curriculum Connections: biodiversity, photosynthesis, biomes, habitats, the boreal forest, climate change
The boreal forest is the largest, most northern forest in the world… and 29 percent of it is right here in Canada! This introduction to the boreal biome will help kids understand why forests matter. We’ll explore biodiversity with a look at some weird and wonderful animals that call the boreal forest home. During a movement activity, we’ll discuss photosynthesis and how it helps forests prevent climate change. This high-energy program is designed to captivate young learners, and includes plenty of time to answer questions. Inspired by Lindsey’s book The Boreal Forest: A Year in the World’s Largest Land Biome.
(Ant)Arctic Adaptations: Wildlife at the Ends of the Earth | Grades 4-6 | Duration: 60 min | Curriculum Connections:biodiversity, biomes, polar regions, adaptations, life cycles, climate change
The polar regions are bitterly cold, freeze-dried wildernesses, where the wind can blow harder than hurricanes. They are also the only places on Earth where day—and night—last up to six months. And yet, many animals not only survive in these extreme environments, they thrive! After a brief introduction to the Arctic and Antarctica, kids will be asked to brainstorm a list of polar species. We’ll discuss the adaptations that help their favourite animals stay warm, find food, and raise their babies, all in two of the harshest habitats on the planet. Then, we’ll explore the surprising adaptations of some less-familiar species… including one that protects itself with projectile vomit! Packed with stunning visuals and surprising facts, this lively presentation features deleted scenes from Polar: Wildlife at the Ends of the Earth.
How Women Get Erased From History | Grades 4+ | Duration: 60 min | Curriculum Connections:world history, biography, social justice, art and literature, STEM, climate change, World War II
Have you ever done something amazing… and someone else took credit? In science and engineering, men getting credit for women’s achievements is called the Matilda Effect, but erasure happens to women in the arts, sports, politics, and more. In this program, we’ll explore six mechanisms of erasure using examples from The Matilda Effect: How 25 Women Were Erased From History. Then we’ll take a deeper dive into one mechanism—disinformation—by comparing two depictions of Two Gun Nan: an exclusive deleted scene from The Matilda Effect, and an episode of the 1950s TV series Death Valley Days. Bonus: an action plan for ending the Matilda Effect!
WRITING WORKSHOPS FOR KIDS
Eating Their Words: How to Write Found, Erasure, and Blackout Poetry | Grades 4+ | Duration: 60 min
How can poets overcome blank-page paralysis? By starting with a page full of words! In this workshop, we’ll define and explore three types of poems that begin from existing works. First, we’ll play with found poetry, using a handful of words offered by the text to write something new. Next, we’ll experiment with erasure and blackout techniques, writing poems that respond to, challenge, or subvert the meaning of the original text. Erasure poems from The Matilda Effect will be offered as examples; as starting points for their own poems, participants are encouraged to bring printed-out passages from books, websites, or articles that inspire or enrage them.
What’s Your Book About? How to Decide What to Leave Out | Grades 4-6 | Duration: 60 min
Tell people you’re a writer, and they’ll probably ask “What’s your book about?” But before we can tell other people, we have to be able to tell ourselves. Knowing what our book, story, article, or report is really about lets us research efficiently, revise strategically, and avoid time-consuming tangents… producing a final draft that’s concise, cohesive, and effective. In this presentation, I’ll share the coolest animal facts that aren’t in The Boreal Forest, and explain exactly why I cut them. Then, we’ll walk through each draft of the book’s opening scene, exploring the step-by-step-decision-making process of revision. Throughout the program, two-minute writing challenges give participants a chance to apply revision strategies to their own work. Designed to get writers excited about re-writing, this program can be adapted for elementary, middle, high school, or adult audiences.
Writing Down the Feels | Grades 7-12 | Duration: 60 min
Why do we forget some stories, while others stay with us for years? Be they fiction, nonfiction, or poetry, stories with staying power are the ones that make us feel. This workshop explores the connections between language and emotions, teaching writers how to manipulate their reader’s response. Writers will harness the emotional resonance of vivid words and figures of speech, making their readers laugh, cry, and remember their words forever.
IMPORTANT INFO:
For on-site visits, hosts must provide an LCD projector and screen for slideshows. Depending on program and audience size, speakers (for video), whiteboards, and a microphone may also be required. Contact Lindsey for details.
For virtual visits, hosts must provide meeting link and security. Lindsey can accommodate schedules in a range of time zones.
Writers’ Union Member. YA and MG fiction. Picture books (nonfiction and fiction). K to 12. Karen’s rate is $250 plus HST for one session, $450 for two, $675 for three, $900 for a full day (4 sessions). Mileage within Toronto may be waived. A virtual visit is $150 plus HST.
Karen Krossing is the author of many books for kids and teens, including picture books My Street Remembers, One Tiny Bubble, and Sour Cakes, and novels Monster vs. Boy, Punch Like a Girl, and Bog. She won the SCBWI Crystal Kite Award for Canada in 2015 and 2023 and has been a finalist for the Ontario Library Association White Pine Award and the Joan F. Kaywell Books Save Lives Award, among other honours. Karen has an MFA from the Vermont College of Fine Arts, and she teaches writing at Whale Rock Workshops and the Humber School for Writers. She loves meeting readers and writers of all ages.
2025 Elizabeth Mrazik-Cleaver Canadian Picture Book Award Nominee for My Street Remembers